1. What is the Steel Drum "Orchestral Family"?
2. Can anyone learn to play these instruments?
3. How did the Steel Drum instrument evolve?
4. Do the instruments hold their value?
5. Who builds the Steel Drums you sell?
6. How is the Steel Drum instrument made?
7. How are the instruments tuned?
8. How long does it take to get my pan?
9. What instrument should I purchase for my needs?
1. What Is The Steel Drum "Orchestral Family"?

Maybe the best place to start is to describe an Orchestral Family of instruments. In any orchestra the various groups or families of instruments are grouped together to create voice sections. The Horns, Woodwinds, Strings and Percussion sections are examples. Each section contains instruments that play in various parts of the musical scale from the very high notes (soprano) to the very low notes (bass).

The Steel Drum family of instruments mirrors the above description. The Lead Pan plays the highest notes, The Double Seconds play the next lower and so on. The Steel Drum family consists of the following basic instruments, musical functions and vocal choir relationships:

 
Click on an Image to Read About Each Instrument INSTRUMENT MUSICAL FUNCTION VOCAL CHOIR PART
LEAD Melody Soprano
DOUBLE SECONDS Contra Melody, Harmony Alto
DOUBLE GUITARS Rhythm/Chords Tenor
TRIPLE CELLOS Rhythm/Chords Low Tenor
TENOR BASS Bass/Rhythm Baritone
SIX BASS Bass Line Bass


You can see that the individual instrument sets have inherited names corresponding to several families of instruments and choir voices according to their function in the steel band.

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2. Can Anyone Learn To Play These Instruments?

The short answer here is definitely YES! Very little physical skill (mainly how hard to hit the notes) is required to learn. From there, which note to hit next is the only question. For this reason a Pan is an excellent beginning instrument for children.

If you are new to reading music, we can send a suggestion list of basic music books that will help get you started in a hurry. Additionally, you will receive a diagram of your instrument showing which notes are which. Once you locate the basic notes on your instrument and practice striking them, you will be well on your way to playing your first song.

A Steel Drum instrument or set of instruments can be thought of as a piano built in a circle. All the notes contained on a piano keyboard are contained on the Pans. Each single Lead instrument or set of instruments contain about 2 1/4 octaves (repeats) of the “Chromatic Scale”. If it can be played on a keyboard (which all music can), it can be played on the Steel Drums.

We often astound people by playing polkas, country songs, and even classical tunes on our Pans. They seem at first to be locked into the thinking that only “Island Songs” work on the Pan. This is probably because they first heard the Pan played in an island setting.

Virtually every lead pan today (all notes on a single instrument) is laid out in a ‘Circle of 5ths’ configuration that leads to a logical note progression around the pan. The other instrument sets in the family are laid out so that the Chromatic Scale notes are easily played by alternating hands.

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3. How Did The Steel Drum Instrument Evolve?

The Steel Drum, or Pan, is a very unique instrument and one of the most recently invented. It is a skillfully hammered 55-gallon oil drum which is carefully tuned to produce exact tones. Each Pan or Set of Pans carries the full chromatic range of notes and can produce just about any type of music that comes to mind.

BRIEF HISTORY OF THE STEEL DRUM  - Researched and written by Angela P. Smith, Austin Texas

The steel drum is believed to be the only non-electronic, acoustic musical instrument invented in the 20th century. The first steel drum or “pan” was invented around World War II in Trinidad, off the coast of Venezuela in South America.

 In the 1800s Trinidad was a sugar plantation society.  The French and English colonists brought natives from Central and West Africa as slaves for their plantations.  The Africans brought their musical traditions with them, especially their drumming and singing, and used it in much the same way as they had in Africa – for celebrations, religious ceremonies, to pass time when they were working, and for communication.  The colonists were threatened by the drumming, thinking – sometimes rightfully so – that the slaves were sending messages that might lead to a slave uprising. 

Drumming also was used to accompany “kalinda” or stick-fighting gangs.  These groups would walk the streets playing rhythms and singing.  When one kalinda gang met another, a fight would usually break out.   The fights intimidated the colonists and gave them more reason to oppose drumming. 

Carnival, the period before Ash Wednesday and the Christian period of Lent, was another opportunity for Africans to take to the streets, beating their drums.  Fights often broke out between drummers and the colonists.   The Europeans, again suspecting the drummers were passing coded messages that might lead to rioting and revolt, banned all drum parades in 1883. 

Without their drums, Africans began using bamboo sticks to play rhythms.  These groups became known as the tamboo bamboo bands.  During Carnival, the tamboo bamboo bands would parade, pounding bamboo tubes on the ground and beating spoons on glass bottles.  When rival bands met on the street, they would compete to see who could be the loudest.  These sometimes violent and messy clashes, which left streets littered with broken bamboo and glass, led to tamboo bamboo bands being outlawed in 1934. 

The late 1930s are considered birth years of the steel drum.  Tamboo bamboo bands had already started switching to steel because the players discovered metal was stronger and louder than the bamboo.  The new rhythm  groups were called iron bands.  Their instruments were mostly paint and biscuit tins.

The more inventive players discovered that bulges of different sizes in the bottom of a tin could produce various pitches.   Some  players started to tune the tins and play melodies on them.  “Winston  “Spree” Simon is generally considered the inventor of the first melodic steel pan.

No Carnivals were held during World War II for security reasons, but Simon and others continued experimenting with metal.   From 1939 to 1945, the first melody pans were introduced.    Players discovered 55-gallon oil drums abandoned by U.S. forces stationed on the island during the war provided an ideal metal for the instrument.

The early pioneers of the steelband movement  were considered outcasts and hoodlums,    Rival bands clashed and engaged in bloody turf battles.   Petty jealousy and disputes over women were often the cause of fights. 

The forming of the Trinidad and Tobago Steel Band Association in 1949 was the first successful effort by some of Trinidad’s influential leaders to end the hostilities.  For  the first time steelbands shifted their attention from fighting to pursuing common interests.  The music of the steel drum  was finally on its way to being recognized as a true art form.   Many who had looked on steelbands as breeding grounds for troublemakers now saw them in a new light.

Over a little more than half a century, the steel drum has made its way from the panyards of Trinidad’s poorest neighborhoods to the world’s most prestigious concert halls.  In 1991, the steel drum was officially recognized as the national instrument of Trinidad and Tobago.  An instrument once scorned and ridiculed is now a source of great pride for a nation and played and appreciated around the world. 

NOTE: Angela P. Smith is a freelance Writer/Editor, a great Pan enthusiast and a customer of the Steel Drum Shop.  Thanks Angela!

NOTE #2: Most of our tuners in Trinidad have been making Pans since they were young men in the mid to late 1950's.  They are the last of the generation of individuals who actually created the modern instrument.

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4. Do The Instruments Hold Their Value?

Every Instrument is an Investment
- Every Steel Drum instrument or Pan is in reality a hand formed piece of metallic artwork upon which music can be played. Numerous individual pan makers worldwide are each creating one instrument at a time using their own methods of metal manipulation, tuning and finishing. No two Pan instruments are alike. Each has its individual characteristics of appearance and sound.

An Instant Collectable - The hand made, individual uniqueness of the instruments dictate that they have already earned 'collectable' status. Our personal Pans have over doubled in value since we acquired them and we display them in our home when we’re not playing (great conversation piece)! Another unique feature of these instruments is that they seem to improve with every tuning. This may be due to the additional hardening created by the tuning process.

No Mass Production - Due to the numerous individual processes required in creating a Pan, no truly mechanized system of mass production has not yet been developed. The day that mass production is introduced, if it ever is, the value of all handcrafted pans will probably skyrocket! Not to worry for now, since the standardization of note placement is only recently becoming a reality.

The Variables - Some instruments look great and sound average, some sound great and look average. Occasionally, one is found that “hits the ball” in both courts. Likewise, occasionally one comes along that should have become a barbeque! You can see that buying a Pan from somewhere in the world, un-seen or heard, has some risk. We take that risk away. When you purchase a Pan from us, you will know the exact instrument you are receiving before you buy it. 

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5. Who Builds the Steel Drums You Sell?
The island nation of Trinidad is the birthplace of the "Classic" Steel Drum instrument. The instruments we sell are made by artists both in Trinidad and right here in the United States. All pans sold on this site are the real thing.  All pans, including our new mini-pan can be used in a band or for recording!

Imported vs. Domestic?
This is a contest played out on many fields around the world.  As with any other product, advantages to the end user can be found in both, so we offer both.
 

The Secret To The Sound - Our Imported Pans

AN EXCELLENT BARREL - Each pan is built from a newly manufactured barrel.  This allows us to control the quality of the base material that our pans are made from.  Purchasing new barrels ads cost but produces a dramatic improvement in both the appearance and musical consistency of our final product.  Cheap pans from used barrels or Consistent Appearance, Quality and Sound? 

A GREAT TEAM OF TUNER'S - Each of our Pans from Trinidad is fine tuned prior to being shipped to us. With up to 50 years in the pan tuning business, each of our individual builders is also the lead tuner for one or more Panorama Big Bands.

A DETAILED FINAL CHECK - Prior to delivery, All Pans are tune checked for proper performance by our local tuner Mr. Francis Lynch.  We find that most of our new pans are in need of fine tuning just due to being handled so many times on their way up from Trinidad.  Again, we pay for this service to assure you of the highest possible quality when your pan arrives.  You receive a freshly tuned pan or instrument grouping.. 
 

PAN QUALITY DESCRIPTIONS
A pan is a pan is a pan, right? They all have the same notes, they all tune to the A-440 international standard for musical instruments and you can play music on any of them. Why then is there a price difference between them?

The explanation is simple; some are much nicer in looks than others. For Example: You can purchase a “Budget” Yamaha Flute for $400. You can also purchase a “Concert Level” Yamaha Flute for over $2,000. The differences lay in the materials and in the craftsmanship that go into making each instrument. By the way, Yamaha makes flutes that cost upwards of $20,000!

OUR GUARANTEE - No matter what grade of pan you purchase from us, we do not ship bad instruments to anyone.  We may find during our inspection that a pan has some visual problems.  You will find those in the discount list.

ALL OF OUR FULL PRICE PANS LOOK GOOD AND PLAY GREAT...
 

"Plain Wrap" or Named Brand? - Our imported pans, both the Trinidad Classic and the Hopetown Pro line are made by some of the best Builder/Tuners in Trinidad.  5 of the 6 have over 40 years making pans.  The youngest has been tuning for over thirty years!  These are the guys who helped start the evolution of a completely new instrument.  As further evidence of their expertise, each of them is also the senior tuner for at least one big Panorama Band. Finally, each of them is a true gentleman and a joy to know personally.
 

"Classic" Trinidad Pans Painted and Brush Finished Chromed (Final Tuning at our shop by Mr. Francis Lynch)

The Classic is where it all started!  For the past 50 years, these Pans have been made in Trinidad.  We specify NEW BARRELS for all of our pans!  This has allowed a leap in the standardization and overall quality of our product line.  It has driven new costs to be sure but the quality increase is worth it.

The price of any pan is attributable to the cost of the barrel and the number of work hours devoted to smoothing the metal prior to finishing the instrument. The fewer man-hours invested, the lower the cost can be. The work in making a Trinidad Classic is devoted to creating a fine musical instrument.  With that said, people are constantly impressed with our appearance quality at this level.  Check out the customer comments section.

The finishing of our "Brushed Chrome" Classic pan line is the result of yet more hours invested to create a final product. Once tuned and "Making Song", if the pan is to be painted it is cleaned, and shipped to our U.S. shop.  It is then fine tuned, and painted in our paint shop. The preparation for chroming the Classic instrument is done by “wire brushing” the metal until it will accept the Chrome Plating. Hence, we call this finish “Brushed Chrome”.  Our Brush Finished pans are chromed in Trinidad.   The pans are then shipped to our U.S. shop for fine tuning and sale. The price difference between painted and chrome classic pans is the cost of the finishing process.

 
Excellent Imported Instruments
 

The Hopetown Pro Line

These are also made to our specifications in Trinidad. This line of pans is made from newly manufactured barrels. Some tool marking occurs during the build process but this is kept to a minimum.

The same highly skilled craftsmen create the Hopetown Pro.  More time and talent is invested in the smoothing/shaping/finishing  process. This time equates directly to a higher cost of manufacture, which of course directly affects our retail pricing.  Much of the added time devoted to this line of pans is in the area of precise note shaping and other detail work that results in a well blended, mellow sounding instrument.

The finishing processes for this line are likewise more involved and time consuming than for the “Classic Pan” line. Fine sanding before painting is the norm. For the Chromed version, the steel of the pan is actually polished to a high luster prior to being taken to the chrome shop for final finishing. Again, the additional polishing process adds cost to the final product.

 

We Take The Worry Out Of Your Purchasing Experience - Your Money is Safe!

No Worries! - We take the worry and risk out of your purchase of imported instruments. We  inspect, fine tune and make sure that each is a solid, reliable musical instrument prior to putting them on our website or delivering them to you.

This is our 'Value Added' service to you! If an instrument doesn’t meet our standards in both appearance and sound quality, we either discount the pan or simply reject it… Something you can’t simply do once your money is half way around the world!

Watch out for "scratch and dent", "Character Marks", Some notes are ?? ETC.  These are the pans we don't sell.  They are made from varying qualities of used barrels.  They are out there on the internet for prices that seem too good to be true.

If, after all is said and you don't like our product, we will take it back (subject to inspection and a small restocking charge).  This is our Bomb Proof warrantee that you will be happy with our products and service!.

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6. How Is The Steel Drum Instrument Made?

By making lots and lots of noise, that’s how! A Steel Drum instrument begins life as a 55-gallon oil drum.

Sinking - The flat end (bottom) of the drum is pounded into a pan shape by many individual hammer blows in a process known as “sinking”. The depth of the “sink” is dependent on the instrument being created. The higher the tone, the deeper the “sink”. The hammering also causes the metal to both stretch and harden.

The Cut Off – This is where the skirt length of the pan is determined. The higher the range of the individual Pans “voices”, the shorter the skirt must be.

Smoothing - Another round of hammer work must be done in the smoothing process. This is similar to the process of reshaping a dented car fender and then smoothing the metal using hammers and backing tools. This process also further hardens the metal.

Etching – The unique shape of each note is then etched into the metal using a drift punch and a hammer. This also creates a dead zone between the notes.

Firing – The pan is then heated red hot for a few minutes before being allowed to cool. This process anneals the metal and lets the stretched, bent and otherwise severely molested metal molecules realign themselves and “relax”.

Note Shaping – Each note space, inside the etching, is then shaped into a dome by further hammer work.

Preliminary Tuning – This is where the builder finds out if this particular Pan will become a sweet sounding musical instrument or a very unique looking backyard barbeque or goat feeder! Through lots of tapping and often, more enthusiastic hammering, each note is brought into tune.

Clean Up – Now the beaten, burned, semi-tuned instrument must be made presentable. The surfaces are washed, buffed and polished until they are as smooth as possible. The Pan is then either primed and painted or sent out for the processes associated with chroming.

Final Tune Up – This, you would think, is a quick process. Not exactly. Each time a note is stretched a little, the notes around and across from it change a little too. The tuner goes around and around and around to assure things are perfect.

That’s it! Anyone with several years to burn, a bag full of body and fender tools, a thorough knowledge of music and a set of ear muffs, can learn to build their own! Obviously, this treatise is for the uninitiated reader and is intended as a very shallow overview of a process that has taken nearly 80 years to evolve.


See A Pan Being Made
Click on the Images to see a Larger Picture

Sinking

The Cut Off

Smoothing

Etching Notes

Firing

Note Shaping

Preliminary Tuning

Clean Up

Ready for Chrome

Ready to Play


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7. How Are The Instruments Tuned?

Tuning an instrument made of a single piece of steel is not for everyone to try. For whatever reason, many of the instruments we import, arrive out of tune. That’s why part of our normal receiving process for imported Pans is to immediately run them through our Tuning Shop for a complete inspection and tuning. The tuning process, depending on how far out of tune the notes are, can take several hours.

During the tuning process, the instruments are mounted on a stand equipped with a microphone. The microphone is plugged into an electronic gizmo (Strobe-tuner) that detects musical vibrations down to the cycle. The tuner then uses small, medium and maybe a few significant hammer blows to stretch and shape each note until it is producing exactly it’s required number of cycles or tone. Around and around he goes, he only stops when all notes are perfect! No matter how long it takes.

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8. How Long Does It Take?

Our Build/Ordering system assures we are virtually always in stock of both our Budget and Hopetown Pro series lead pans.  This In-Stock status will soon extend to Double Seconds in both of these lines.

You should check our Products section to see the pans we have on-hand for immediate delivery.
 

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9. What instrument should I purchase for my needs?

After having written this letter in an email response about 35 times, it dawned on me that something was missing from our website. What was missing is the answer to this question. You want some guidance as to what will fulfill your needs without putting you in the poor house. Great question, so here goes…

Our basic guidance is that you should purchase the most expensive instrument that you can afford. This is not just sales talk, it is common sense. The more expensive today, the higher value tomorrow. It’s all about resale (if you want to sell in the future).

Any pan purchased at today’s prices will absolutely appreciate in tomorrow’s market. They don't wear out!  I have heard Trini Pans from the 50's that sill play beautifully.

Regarding CHEAP OR USED PANS - Be Careful!  A used pan is virtually never going to be a Great Pan!  People keep the good ones and attempt to improve over the "not so great" ones.  Not much more to say here.  Buyer be ware.  Cheap is not going to reward you very well.  Be ready to spend some bucks for a nice instrument

In The Real World

All of our pans are true musical instruments that can be played in any band.  All are built on New Barrels! Do you just need the sound of pan or  you want something that looks really good also without breaking the bank? Both of our Trinidad Classic Pans, Painted and Brushed Chrome, qualify here.  Great quality - Great Pricing!

Classic Pans, Painted - The painted pans are painted with glossy black on the skirt and silver on the note faces. You can repaint them to your hearts content! Just don’t load the note face metal with a bunch of paint… Personalize them. You can’t hurt the pan. Just don’t bend it!

Classic Pans, Brush finished chrome - These tend to be a bit sweeter in tonal quality. It’s why they tend to rate them just a bit higher than the painted pans. Still, if you want to apply decals etc. to customize your own pan, it’s ok.

Hopetown Pro, Painted Pans – The major difference is here you have a really beautiful looking and great sounding pan that is a cut above the rest.  

Hopetown Pro, High Polished Chrome Pans – This is our Cadillac. The custom shop guys do the Mercedes stuff! Expect a professional level, high quality instrument that can go into anyone’s studio and record a great track!  (Call us for information on recording pans – We have experience).

A note about the Hopetown Pro Line - These pans have been drooled over by folks who just purchased a new, very expensive pan from another company… We hear from our user groups and other folks that they wish they had spent ONE Thousand instead of THREE Thousand Bucks to make the same twelve tones…

If you just need the sound of a great Steel Drum in your house or music group, feel safe in ordering one of our painted leads. If you want a bit brighter sound with the same note capabilities, buy a brushed chrome pan. If you need a pan that will compete with the best, buy a Hopetown Pro.

We at Hopetown Music Inc. sincerely hope this information answers some of your questions about the history, origins and availability of the Steel Pan instrument. If you have additional questions, please call us.

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